#you know regarding the prose

[nicosraf]

Is there anything about ABM that youve been waiting for someone to ask about, but no one has yet?

I didn't want anyone to ask me this but before publishing ABM, I emotionally prepared to be asked "why the hell did you write the book like that" and I've been fairly surprised that no one has really bothered me about it?

As in, I expected a lot of people to give me shit for the.... unorthodox stylistic choices and general execution of such a strong pitch.

Sure, I don't look at reviews, but I expected to be directly approached and (maybe angrily) demanded an explanation for the style.

By style I mean: the book being separated into two parts, with a bizarre interlude, and the prose itself (so many sentences start with And !!!!!), and sometimes the metaphors just make no damn sense, the purposeful contradictions ("emerald rainbow")), the long lists of stuff (clothing, gems), the description of chores, the pacing having such an abrupt switch from slow and routine to quick and messy. The thoughts!! The shift from Lucifer's close POV to an omnipotent head-hopping narrator. The violent switches from scene to scene in different locations with different characters towards the end.

In the wild, I've seen some people assume my intentions for all these stylistic things. Some people are so far off, but I think that's fun. I think one of the great things of writing such a weird book is that you can tell a lot about a person by what they assume your intentions were.

Regardless, I guess it was dumb of me to be incredibly nervous that I would get directly attacked for it. I prepared answers and everything. I don't know - maybe I have a worse history with publishing that I realized skskssks

But people give me mostly fun and silly questions, which I'm insanely relieved about and thankful for!

I don't know if I even want to talk about the stylistic choices. I could, but also eh.

[mosswolf]

ive had a bad run recently with reading indie books that i really wanted to enjoy conceptually by the writing style and characterisation just felt terrible to me which is so disappointing BUT i just read twelfth moon by halli starling which was a really fun collection of snapshots and thank god. breath of fresh air!!!

[allbark-no-bite]

don’t write checks you can’t cash.

jake seresin x reader (wc: 3.6k)

summary: jake seresin is under your skin. or maybe you’re under his. either way you’re going to eat each other alive. jake isn’t about to take the fall

warnings: mentioned age gap, heavy sexual tension (the smut is coming i promise)

author’s note: back on my topgun bullshit bitches (respectfully). i’m not usually one for multi part fics but i actually wrote something with plot for once so please just bear with me. loosely inspired by Zach Bryan’s ‘nineball’. please note this fic title is subject to change bc i hate it

(you can read part 2 here!)

————————————————————————

You don't believe in love at first sight. You think the whole concept is some foolish idea that people who have already fallen in love have the liberty of saying they believe in. Then people who have been through failed relationship after failed relationship are convinced that they're never going to fall in love because it just doesn't happen. The whole idea pretty much just sets the rest of the population up for failure from the start.

Even the concept of finding the right person one day and growing to love them is hard for you to grasp. Because how can you love someone that much? How do you know you love them enough?There are some days that you don't enjoy the presence of even your closest friends for very long, friends who you would do anything for. Even family, you only tolerated so much.

Your high school boyfriend hated that about you, the fact that you realistically needed so little of him—or anyone for that matter. You have always been violently independent, able to provide what you require, and therefore having to maintain a simplistic relationship became nothing but a monotonous task. Even most of your closest friendships faded with time.

Eventually, you prosed the question: what can someone else give me that I cannot give myself?

The answer was companionship. Because when you strip away everything from a person and all they have left to offer you is themself, you have to be willing to choose them. And sometimes that's not the most appealing quality.

Something did happen, the first time you made eye contact with Lt. Jake Seresin, but it was far from love. It was something terrible in your chest, like an aching. Like you knew in your gut that he was going to change your life. Good or bad, you didn't know, but it was certain to happen.

You don't even believe that you two were destined to meet — you just happened to, and in that moment, the damage was done, it was your fate to ruin each other.

——

You like the way he says your name. You like that he says your name on purpose, like he is intentionally seeking out reasons to say it. It's not as harsh sounding coming from his mouth.

"You from around here, [L/n]?"

You're wiping down the glass hatch of your F/A-18 when he approaches you from behind. You swivel your head to catch sight of him behind your back but he's already making a wide circle around you, his chin tipping up then down as he inspects your plane from behind his tinted aviators.

As you watch him scrutinize your aircraft, you regard him with a certain level of apprehension. Jake Seresin was nothing short of gorgeous. He was six feet of bronze skin and lean muscle, withbright green eyes, and a movie star smile. Not to mention the southern accent that had girls drooling over him.

"Austin," you correct him. "Austin, Texas."

You'd been transferred over to Miramar a little over a month ago, becoming the newest addition to the Dagger squad. California was a nice change of scenery, and everyone you had met so far had welcomed you with open arms. That is, everyone but Lt. Seresin— Hangman as they called him. You were still trying to find your footing with him.

You genuinely don't know what his problem is with you. The guy had hardly even given you a glance since the moment you'd arrived. Your first guess would have been that he was one of those dickheads who didn't like women working in the field, but his relationship with Phoenix disproved that theory.

Your answer seems to warrant his attention, and he looks up. His expression twitches at the correction but he doesn't say anything in response. For the first time since you arrived at Miramar, still, unsmiling green eyes catch yours from across the aircraft.

You hold his gaze. After a moment, your stomach twists in an unsettling way, like even it doesn't know what to do with itself. Your first instinct is to look away. Your brain is telling you that if you do, you can avoid any sort of confrontation that may happen as a result. But it's like you can't.

This is the first time he's looked at you, and now you don't dare to look away.

Even from behind the tint of his perfectly polished aviators, you can make out the distinct color of his green eyes. They're so distracting that you have to remind yourself to breathe.

After what feels like eons of uncomfortable staring, he breaks your gaze —surely it couldn't have been longer than a few seconds. Flustered, you glance around to see if anyone else has picked up on the affair. Fortunately, or unfortunately, you're not quite sure which, it's nearing 6pm and the base is on the better side of empty. It's a Friday evening and everyone is eager to head out for the weekend.

Someone clears their throat. Hangman is still standing there, hands shoved in his pockets like he doesn't have anywhere better to be. You want to say something but your gut is telling you that there's some sort of game going on here and you're not sure of the rules.

Finally, he faintly nods his head, as if to excuse himself, and turns to walk away. You watch his retreating back and relax a little, breathing a bit easier.

As you're turning back to your plane, relieved that the interaction is over, you hear him call back over his shoulder.

“The team is heading to the Hard Deck at nine. Don't be late."

And then he's gone, disappeared between one of the hangars.

——

For nine thirty on a Friday evening, the bar isn't nearly as busy as you'd expected it to be. You don't have to fight for a parking spot out front and there's not even a line at the bar. Other than a rowdy looking gaggle accumulating at the pool table, the atmosphere is pretty laid back. Looking around as you walk further in, there is a handful of people in civilians, but the majority of the crowd is composed of off duty aviators in their summer khakis.

You're about to head over to the bar top, where you were sure you had spotted Captain Mitchell, when someone shouts your name.

"Hawk!"

Your head swivels at the sound of your callsign, and you catch sight of Rooster beckoning to you over at the pool table. Immediately you recognize the familiar faces of the Dagger squad around him. You acknowledge him with a smile and head over to join them.

“And here we thought you were going to be a no-show," the brunette pilot chirps, his arm wrapping around your shoulder as soon as you're close enough. You lean into his embrace while touching his chest with a friendly pat of your hand. Bradley is by no means close to drunk but most definitely more than a little buzzed if you're going off of the smell of beer and lime on his breath and the occasional involuntary twitch of his mustache.

"I thought about it, but I can't keep letting you guys have all the fun," you laugh, holding out your other arm so that you can greet Natasha with a hug as Rooster releases you.

After hugging you, she presses a sweating bottle of beer into your hand. "Coyote bought everyone a round so I figured I'd save you one before the boys wiped them out. Sorry if it's a bit warm, you did show up fashionably late."

You playfully roll your eyes at her, taking the beer anyhow. "Thanks, Phe."

Payback places a large palm on the top of your head, diverting your attention towards him as he returns from the bar. "Don't let her fool you, we're just getting started over here. Rooster isn't even drunk enough to get on the piano yet."

Laughing, you glance over at the brunette aviator. "Now that I've been waiting to see. I hear you're quite the show, Bradshaw."

Since you transferred over to Miramar, you had been hounded nonstop to go out drinking with the team for weeks, and Rooster's infamous performance had been one of their key selling points. That and the fact that the owner, Penny, often gave them free drinks. Apparently she had a thing for Captain Mitchell.

Rooster grins, leaning against the pool stick in his hand as he waits for Fanboy to take his shot. "Let me get a couple more beers deep and I promise you won't be disappointed."

As you go about making your rounds to greet everyone else, you can't help but notice that there's someone missing. After you take a seat beside Bob to watch Rooster and Fanboy play, you glance around the bar a few times, convinced that you've somehow overlooked him despite the fact that the place isn't busy enough for that.

An almost disappointed feeling pulls at you despite how ridiculous the realization makes you feel.

After spending the better part of an half hour trying to push the feeling away, you finally spot a familiar head of blonde hair over at the dartboard. He's by himself, about three darts in and half a bottle of beer down. So much for the personal invitation, you think.

You watch as he throws a dart, practically without so much as aiming whilst contemplating whether or not you even have it in you to muster up the courage to face those green eyes again.

Without giving yourself the chance to back down, you swallow back the rest of your now warm beer and head over.

He tosses another dart just as you reach him, and it finds itself dead center with the previous three.

"With a hand like that, you should be kicking Rooster's ass over there in pool," you say as you come to a stop behind him.

Walking away from the dartboard, Jake turns to grab his bottle of beer from the table beside you.

"I'm not much of a betting man," he huffs, leaning back against the table. The muscles of his biceps bugle distractingly against the sleeves of his uniform.

You look back over your shoulder, watching from a distance as Fanboy's cue clips the eight ball and sends it ricocheting off the sidewall. He groans, and Rooster whoops triumphantly from behind him.

"It wouldn't be much of a bet. Even with his winning streak, I think you'd give him a run for his money."

Hangman takes a sip from his bottle, mouth lingering on the rim before he sets it back down and crosses his arms. "Rooster's all luck and no skill. The table's got a lean."

You raise your eyebrows at the confession, half laughing at his lax confidence. "Oh? And you would know this how?"

"C'mon, son. Fuckin' hit it in."

Body tense, his arm quivers ever so slightly and the pool stick bobs shakily in his hand. He closes his eyes and takes a breath in.

"I haven't got all day, kid."

He breathes out and breathes back in. The smell of cigar smoke and cheap beer swims in his head.

"What're you doin'?! Quit wastin' time."

He exhales, opens his eyes, and hits the pool stick forward. The white cue ball shoots out to the left, bounces against the eight ball, and sends it hurdling towards the side pocket. At the very last moment, it veers off to the left and falls into  the back corner pocket instead.

The man standing on the other side of the table curses, his pool stick dropping to the ground, but Jake pays little mind to him. He straightens, looking around eagerly for the only set of eyes that matter. The grin falls from his face when he realizes the old man isn't even watching, too busy counting out his prize money and yanking out a ten to hand to the bartender.

Jake looks up at the clock on the wall over his shoulder.

12:57 am

"Dad, I wanna go home."

"Not yet, son. I've already got fifty put down on another round."

"Want me to show you?"

His offer makes you pause, and you can't help but cock your head a bit as you try to weigh out just where this is heading. For weeks he has acted as though you barely even existed and now you're engaged in the longest conversion the two of you have had since your arrival.

Jake finishes his drink and sets the bottle down whilst walking over to you. "Final offer. Take it or leave it."

You laugh a little before stepping back so that he can make his way to the pool table. "Lead the way then." But before you can make it too far, his palm finds the flat of your back, pressing you forward so that you're in front of him. You're glad he can't see you because your face flashes hot at the unexpected contact.

"I'm not the one playing, kid. I'm just going to show you the ropes."

"Oh, I didn't-"

Any objections you have about the situation are ignored as he pushes you firmly in the direction of the pool table and asks Payback for his cue. "Look alive, Bradshaw. Hawk is about to show you how this thing is done."

Straightening his wide shoulders, Bradley grins, smug and easy as you and Hangman approach the opposite side of the table. "And here I thought you were here to reclaim your throne now that I'm intoxicated."

Jake grins back. "You don't need to be drunk for me to do that."

Bradley's mustache twitches, but he's still smiling. "Sure."

Jake turns back to you, placing the pool stick in your hand. You can't help but think that his expression is all too confident for someone who has never even seen you play pool.

"Nervous?" he asks as you take the stick from him.

"Should I be?" you ask back, turning your head to watch as Rooster takes the liberty of breaking the rack.

He shakes his head, his green eyes glowing with a warmth that you've yet to see from him. "Not as long as you don't totally suck."

Seeing that it's your turn, you brush past him to stand at the table. "I guess I'll let you be the judge of that."

Thankfully you've played your fair share of pool and so you're able to hold your own for most of the game. Jake remains criminally silent as you play, arms once again crossed as he leans against a nearby stool, but you can feel his gaze burning into your back the entire time. It isn't until the end of the game and you've missed the same ball multiple times that he steps in.

"Shift left," he directs you. When you glance over at him, he nods his head as if to insinuate where you should move but doesn't move from where he's planted himself since the beginning of the game.

Hesitantly, you shuffle over a half step and take the shot. The ball comes closer than you have been but still hits the sidewall just short of the pocket. You huff in frustration, and Rooster steps forward to take his turn, sinking his second to last ball in the same pocket.

"I hope you're ready to buy the next round, Seresin. Looks like Hawk is losing her nerve," Bradley goads, unable to keep himself from boasting a little at your expense. When it comes to Hangman, he can't resist the chance to taunt him.

You roll your eyes at his comment, not bothered so much by it as compared to the fact that you're losing. When it's your turn again, you line up the ball and lean down to assume your position when Jake stops you.

All the sudden he's right beside you, palm pressing into your hip to scoot you to the side. "Move over." When you look at him like he's crazy, he huffs. "C'mon, do you want my help or not?"

It isn't so much of a question as it is a statement and the press of his hand against your side doesn't leave you much of an option and so you shuffle over to the far right side of the pool table.

Before you can even comprehend what's going on, he's leant over you, his impossibly tall frame pressed to your back so that he can reach around you and guide your hands. One wraps around your hand on the stick and the other cups your opposite elbow.

It takes everything in you not to jerk away, overwhelmed by his sudden proximity. Instead you try to focus on controlling your hammering heart and pray he can't tell how clammy your palms suddenly are.

"Hey, that's not allowed," Rooster complains. "Is that allowed?"

Coyote shrugs. "It's not not allowed."

Distracted by their bickering, his voice in your ear nearly makes you jump. "Hit the cue ball. Hard."

The lean press of his body is almost enough to distract you from the fact that he's done a god awful job of lining up the shot. There's not one alternate reality where you make this shot.

"You can't be serious."

He's so close that you feel him smile beside your ear. "Dead."

"Any day now," Rooster prompts, as if you aren't aware that Jake Seresin has been pressed against you for an uncomfortably long amount of time. And if Hangman has noticed the fact that your heart is fluttering erratically inside your chest or that your skin is flushed hot to the touch, he doesn't let on. 

"I'm waiting," he reminds you, his voice placid in your ear.

Against your better judgement, you take the shot.

The white cue ball hurtles into the black eight ball with a hard clack and sends it flying across the table. It smashes against the sidewall, exactly as you had expected it to, and you release a breath of defeat. And then something unexpected happens. The ball slows, but instead of bouncing to a stop, it continues to roll left across the table. You all watch as it rolls directly into back corner pocket of the table.

"Well I'll be damned," Payback mutters aloud.

"Hell yeah, [L/n]!" Phoenix shouts, her loud and robust voice ringing out across the bar. "Shots are on Bradshaw!"

"Thanks buddy," Coyote laughs, teasingly grabbing the back of the brunette aviator's shoulders as he heads off for the bar.

Bradley waves them off, looking a bit miffed but still good naturedly accepting his defeat.

"How about it? You're a cold blooded killer."

Like a bucket of ice water being dumped over your head, the sound of Hangman's voice coming from behind you jerks you back to reality. You haven't even noticed that he'd stepped away. Something inside you twinges at the loss of his body pressed against yours.

You turn around to face him, your brain still trying to comprehend what just happened.

"How'd you do that?" you ask incredulously, your tone almost accusing. A deeper part of you wants to ask 'why did you do that' but the smile on his face stops you.

His top row of pearly white teeth that you glimpse is pristine, however brief, before his pink lips come back together in a more subdued smile. It's an expression that is so very genuine and carefree that it sends a spark straight through to your heart. You've never seen him actually smile before, and especially not at you.

"You're smiling," you accuse before you can stop the words from coming out of your mouth, half giddy at the discovery yourself.

Jake looks slightly away, turning his head briefly in order to suppress his smile before looking back to you. “Yeah? So?” His green eyes are twinkling as he says it, like he knows he’s been caught.

You jab the short end of the pool stick into the center of his chest, but he’s quick to grab it before it can find home.

“Up until yesterday, you could barely stand to even look at me,” you say.

He bites the inside of his cheek. “That’s not true.”

“So you’re saying that I’m seeing things.” You try to tug back on the pool stick but Hangman doesn’t release it.

“I’m saying you shouldn’t be seeing things.”

With that, a larger portion of the previous smile is gone from his face, a more sober look replacing it.

Just like that the spark fades. Even though you want to shut down, turn your back to his face and just walk away. You force yourself to keep talking, holding your voice steady. “I don’t think I’m following you.”

Inside you know exactly what he means.

His eyes flicker up over your shoulder but the Dagger squad has already moved on to crowd around Rooster at the piano.

You clamp your jaw together as he releases the pool cue and crosses his arms in front of his chest. It makes him look more relaxed than he is.

"Look, whatever this is—whatever you think I am, I'm not." He says this with the realistic conviction of someone who knows that even if it is, you can't. He says it like he’s trying to convince himself.

You’re not quite sure how old he is—barely thirty if you had to guess— but he’s older. Too old. Not to mention fraternization is deeply frowned upon.

"I know," you answer firmly. Because you do. Because even if it isn't, you want it, whatever it is.

He stares down at you with those green eyes, his pupils pinpoint sharp. After a moment he heaves a sigh and releases it, nodding his head. “So we’re in agreement?”

“Yeah,” you answer. “We’re in agreement.”

“Good.”

“Good.”

[nanaminokanojo]

BAD NEWS | CHAPTER INDEX/PROLOGUE (Part 1-64)

-just when you thought you were over your humongous crush on your older brother’s best friend, geto suguru, you couldn’t be more dead wrong, and maybe there isn’t really anything holding you back from acting on it now that you’re all grown up…except satoru doesn’t like suguru for you because he knows his kind all too well: a huge ass playboy who breaks hearts like he changes socks. but you think. MAYBE you’ll be the exception...maybe not.

CHARACTERS: drummer!geto suguru x (fem/afab) reader x guitarist!sukuna | gojo satoru | itadori yuuji | kugisaki nobara | fushiguro megumi | sukuna | fushiguro toji | nanami kento | choso | tsukumo yuuki | shoko ieiri | utahime iori

GENRE: full-length smau + prose | band au, tats, piercings, the whole shebang | college au | stupid pining | aged-up characters | friends to lovers (?) | this is gonna have smutty stuff because why not?

TW/CW: strong/mature language | adult content so mdni on some parts; just skip them. you’re not missing much | mentions of alcohol, drugs | mentions of cheating, promiscuity, mild dubcon (consent >>>), etc. | again, god-awful pet names i’d cringe at if a 3d person says it | toxic behavior | will add more if something arises

AKI’S NOTES: I would like to express my sincerest thanks to everyone who loved and supported “Thawing Ice Queen” as well as those who participated in the poll on which smau I’m going to write next. So, this is what won in said poll, and I hope it gets as much as love as TIQ if not more. Reblogs and likes are very much appreciated, and I actively respond to comments as well as Asks. Also, if you’re interested, I will include you in the tag list. Just message me through whatever avenue you’re most comfortable with. Happy reading!

ADDITIONAL NOTES: i will be using pics and other media which would fit situations and make the smau-ness of this piece a little more realistic and entertaining when i believe it’s appropriate/fitting to the plot (as i've done with TIQ). having said that, with regard to inclusivity, i just want to put it out there that they will not necessarily be aimed as the exact descriptions to fit a supposedly generic reader nor will they be representative of a specific race or color (even if you’re/the reader is gojo’s sister here). it’s all for the simple fact of media availability, for funsies and the fact that i don’t exclusively write in consideration of those aspects when using reader-insert characters unless i specify it. thank you for understanding.

MASTERLIST

CHAPTERS: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15

16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30

31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | 40 | 41 | 42 | 43 | 44 | 45

46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | 57 | 58 | 59 | 60

61 | 62 | 63 | 64 | CHAPTER INDEX II

© ORIGINAL WORK BY nanaminokanojo. CHARACTERS ARE INSPIRED BY GEGE AKUTAMI’S “JUJUTSU KAISEN”. [20240331]

PHOTOS/IMAGES/GIF/FANART/ANY MEDIA CREDITS GO TO THE RESPECTIVE OWNERS.

[violetrainbow412-blog]

Day 20: written but never sent

Masterlist flufftober 🎃

Reblog if you liked it!

Spencer greatly enjoyed handwriting. Electronic devices irritated him to no end, as he felt that typing on them was so impersonal and trivial. Handwriting required careful thought, reflecting desires and passions in the shape of the letters, and capturing feelings in the prose... everything written by hand represented something intimate, at least to him.

That’s why, when he got a pen pal, it was inevitable that he would start developing feelings. He had contacted you as part of a school assignment, as both of you were studying the same Ph.D. in linguistics, and one of the tasks was to analyze how different people express themselves in writing.

All he had was your name and address, the strictly necessary information to send a letter. He was the first to send one, sharing some details about himself, why he was pursuing the degree, the work he did, and how he would apply the knowledge he was acquiring.

He patiently waited for your response, which arrived a week later in a small brown paper envelope with a maroon stamp. Your letter didn’t seem like just a required response to fulfill the assignment. You sounded genuinely interested in what he had shared, and you addressed every point he had mentioned.

What surprised him the most was that at the end, you talked about books he had mentioned and ended with a question:

Have you read The Resilience of Language? It's a great book that could help you a lot. I highly recommend it! Best regards, nice to meet you.

There was a question at the end. The answer was no, Spencer hadn’t read that book. He could have simply stopped there, taking your recommendation and using your letter to complete his assignment. But something inside him wasn’t content to just end the communication there; he thought it would be rude not to offer a reply. So, as soon as he received your letter, he took one of his notebooks to write back.

Spencer used one of his gel pens with a fine tip and deep pigmentation. If someone were observing him, they could say that all these actions reflected a sense of importance: selecting the paper, his best pen, carefully crafting his handwriting—all of this added weight to the act.

He sent the letter, still unsure, but hopeful nonetheless. He was amazed when he arrived at the building and found another letter in his mailbox, with the same characteristics as the previous week.

A year had passed since then.

Every week, without fail, you exchanged letters. By now, he knew you better than he had ever known anyone, as the semi-anonymity provided an extra layer of trust for sharing everything that had happened during your week. You started by exchanging generalities, talking about books, and discussing the Ph.D. classes. Slowly, you began to share less trivial things: how the place where you lived was, your job, elements of your identity.

In recent months, you were writing to each other as if you were close friends.

My migraines have improved, in case you’re wondering, and this week at work has been less demanding than usual. We only handled a fairly light case (if you can even call it that in my line of work), and I had time to analyze some of the works you recommended. How’s everything going with that guy at work?

When Spencer finished, he hesitated about how to sign the letter. At first, he would send you his regards, write some polite expression, or simply wish you a good day. But now, he felt the need to sign off differently.

Affectionately, Spencer.

He didn’t think you would notice, just a gesture of the growing trust between you. He patiently waited for the postman to deliver your reply, and after several days, he eagerly read your words on the paper.

I’m disappointed about the guy. Turns out he’s a jerk, you know? Sometimes I wish I could meet someone who can genuinely love me, without focusing solely on the physical. Maybe it’s bold of me to say that, but I think you understand. I want a connection that comes from appreciating who I am, with someone who shares my interests, someone respectful, intelligent... but I won’t bore you with my romantic nonsense. The point is, I’m not dating anyone at the moment. I’m focusing on our Ph.D., haha. I hope you’re doing well, and I look forward to your reply!

However, he was quite surprised when he read the signature that followed your name.

Yours sincerely…

Had you signed that way in response to the dedication in his letter? Something felt strange within him, and his chest warmed with an unfamiliar feeling.

For a moment, he wondered if there was any possibility that he could meet the expectations of the special person you described, and when he realized he was imagining himself with you in that kind of scenario, he felt embarrassed.

It was ridiculous to think about. You didn’t even know each other, and you lived miles away, you were just friends who had taken a school assignment too far.

Time passed, and the signatures grew more affectionate, more personal… just like the content of the letters. It got to the point where he couldn’t deny it anymore: he was in love.

Though after realizing it, he spent a long time wondering what he should do with that feeling. Weeks passed before he came to a decision.

Spencer was returning from Maine when he decided to finally write to you. He was sitting on the plane, with his notebook in front of him, and his mind as blank as the page.

“What are you struggling to write, Reid?” Emily asked, sitting beside him “You’ve been staring at that notebook for ten minutes without the pen touching the paper.”

“It’s nothing,” he murmured, trying to downplay it. He didn’t want to talk about it, not with Emily, not with anyone.

A couple of hours later, with a pile of crumpled-up drafts beside him, he finally managed to write something:

I can’t start this letter without first telling you how much I’ve come to value our correspondence. For over a year, our written conversations have become one of the most important constants in my life. Each week, I eagerly await your letters, and every one of them brings me a pause in the middle of my routine: a space of calm where our words connect in ways I never imagined possible. I’ve read and reread your letters so many times that, sometimes, I feel like I know them by heart. Even so, I always discover something new in your words: an idea that eluded me before, an emotion that makes more sense over time, or a reflection that sheds new light on my own experience. Although we’ve never met in person, I feel like I know you better than many people I speak to face-to-face. Is that strange? Maybe it is, but the truth is that there’s something about the depth of our conversations that transcends physical distance. All this time, I’ve tried to rationalize what you mean to me, but there are things that can’t be measured or analyzed logically, no matter how hard I try. What I want to tell you —and what has taken me so long to write—is that I’ve fallen in love with you. At first, I wasn’t sure what this feeling was. I thought it was just admiration or gratitude for the friendship we’ve cultivated, but with each letter, with each shared thought, I realized it was something deeper. I love you, not just for what you share with me, but for who you are. For the way you see the world, with such clarity and empathy. For your insatiable curiosity, for your unique way of finding beauty in the smallest details. I don’t want this confession to make you uncomfortable or push you away. I’ll understand if you don’t feel the same, and I’ll consider myself lucky just to have known you in this way. But I couldn’t go on without being honest with you. I hope that, whatever your response may be, we can remain the same two friends who have shared so much through these pages. With all my love, and praying to be able to be yours, Spencer.

He kept the written words as if they were a treasure, feeling his heart race every time he thought about that secret tucked away in an envelope on his desk. Unfortunately, that letter never saw the light of day, all because of his fear of losing who might have been the best friend he had ever had in his life.

[valtsv]

Do you have any tips to get better at writing? Your word usage is so amazing. the way u describe things are so utterly unique, it’s so mesmerizing. You motivated me to write more but I want to reach your level of skill

i'll be honest, i personally find my writing to be rather subpar and lacking in the necessary technical skill to justify its overly stylised prose and excessive wordiness, so i wouldn't necessarily recommend taking inspiration from me. that being said, i'm my own worst critic and i am very flattered that my writing resonates so strongly with you. i'm not a professional writer, so i can't offer much in the way of advice beyond what has, through trial and error and years of practice, worked for me.

something that people often point out to me when complimenting my writing is that i have a rather lyrical style, which i can see. i try to pay attention to the way that words flow together - which words best complement one another - and choose how to structure and order sentences based on that. i do have a fairly extensive vocabulary thanks to reading a lot from a young age, but i also frequently make use of the thesaurus (my most dearly beloved). obviously, trying to beef up your writing by simply using more obscure words that you found in a book will come across as clumsy, and detract from your writing rather than enhancing it, but if you learn how to stitch words together in a way that has a pleasing ear or mouthfeel, you can mitigate that somewhat, and even make it part of your repertoire of skills.

speaking of vocabulary, the more expansive it becomes, the more doors it opens to you in terms of what you can write and how you can write it. this is pretty straightforward common sense stuff, but you'd be surprised by how effective is if you actually start paying attention to it. likewise with grammar. not everything you write needs to sound like it was written for a sophisticated publication in a well-respected 19th century newsletter, but if you read widely and often, you'll find that your understanding of just how many ways the scaffolding of phrasing and punctuation can be used to support incredible linguistic architecture there are grows immensely, and start seeing opportunities to make all these little adjustments and additions and substitutions that enhance your work's overall presentation.

with regard to the above, i'd also recommend considering how you want your audience to feel. you can alter a reader's entire undercurrent of sensational experience simply by changing a few words, according to whatever emotional (or even more primal) response you intend to provoke. you can also mix your palettes, and flirt with crossing the wires (horror tinged with eroticism and vice versa, fantasy with a dose of down-to-earth pragmatism, tragicomedy, and so on). the more you experiment, the more your confidence will grow, and your skills begin to take shape, from crude instruments to refined, specialised tools.

one word of caution i'd offer you, based on my own shortcomings, is that my style of writing does very much neglect realistic-sounding dialogue. the way that i write and the way human beings talk to one another clashes without much grace or redemptive quality (at least in my opinion), and i have yet to find a satisfactory solution to this. i'll let you know if i ever figure it out.

[sunderingstars]

zayne x reader + expressing his emotions/feelings via his and reader's heartbeat? Since he's not *just* her doctor...🪐

♡ heartbeat (zayne x reader) ♡

what the stars reveal: no gender signifiers for reader, (but can be assumed fem based off the game’s mc), slight allusions to lore, poetic prose taken directly from my brain at 3am

.𖥔 ݁ ˖ જ⁀➴ thank you for the suggestion, anon !! i feel like this ask was made just for me because i use zayne’s heartbeats as a way to de-stress every day LOL. i got a little bit carried away so i hope more than a few paragraphs is fine :3

It had started as a joke. Some silly, off-the-cuff banter you didn’t even remember starting, much less continuing until the two of you sat face-to-face on the couch in his office. It didn’t really matter, in your mind, how it happened. All that mattered was the thrumming; the steady rhythm of a heart, his heart, resting warm and stable under layers of skin and fabric.

It didn’t occur to you to be embarrassed. Not when you could feel it against your fingertips, burning through the outer layers of Zayne’s frost-tipped skin, coming to rest against you like a flower, like some sort of fragile thing with petals of ice. If you could, you wished to hold it in your hands, softly, tenderly, in the vain hope it would never crack. A prayer, perhaps, to a god you couldn’t remember.

“What is your verdict, doctor?” the teasing lilt of the last word brought you back to yourself, to the man in front of you. Zayne looked at you, eyes sparkling in amusement.

You coughed lightly. “It’s… uh… normal.” You didn’t remove your hand. “But kind of weird.”

Zayne’s heart stuttered along with his chuckle. “Weird?”

“Yes, weird,” you repeated, letting the lull of his heart diffuse from your fingertips to your chest. “I feel like I’m going to fall asleep.”

A beat of silence. “Go ahead, then.”

You blinked. Part of you thought you must’ve heard wrong — perhaps his heartbeat was laced with some sort of hallucinogen — but when you looked back to him, to the soft upturn at the corners of his mouth, you realized he was serious.

“What?” you asked. “Just like that?”

Zayne raised his eyebrows. “Why not? Leading research suggests that eight to ten hours of sleep is best for optimal performance. And someone I know is falling behind in that regard.”

You considered it, humming. Then you leaned forward until the side of your head replaced your hand on his chest. From here, you could hear the tempo picking up pace directly in your ear.

“It’s even weirder now,” you said.

“Is it?” he asked.

“Yeah.”

“Maybe it likes you.”

You smiled against his chest. “Maybe I like it, too. Maybe, even, I want to give it a big kiss on t—”

“Go to sleep.” His tone was faux-stern, the way he sounded when he wasn’t fully committed to deflecting something. You could have kept prying, you knew, just to see how far the heart metaphor would go, but you decided to give his actual heart a break.

“Fine,” you said. “But I hope it knows it belongs to a great doctor.”

Another stutter against your ear. “I’ll be sure to pass on the message.”

Content, you settle against him, not caring that you’re still half-sitting. It’s easy, then, to listen. To wash away. To hear the sounds of rising, falling, cresting like snowcapped mountains and falling stars, and feel as though you’re a falling star yourself, hopeless.

“I wonder if it loves me,” you murmur, half-conscious, half-hopeful, half-blurred.

The last thing you hear is the low timbre of Zayne’s voice, softer than you’ve ever heard it, sending you off into the dark.

“It does.”

💙 bonus hc 💙: zayne has different ways to check heartbeats depending on how close he is to someone. for his normal days on the job, he uses a stethoscope, but when it comes to those he gets close to, he’ll take it by wrist pulse or neck. when the two of you start dating, he becomes a fan of pretending he can only take your pulse if he’s resting his head against your chest, which usually leads to him falling asleep on you.

© 2024, written by sunderingstars. do not copy, repost, translate, modify, or claim my work as your own.

[copperbadge]

Hi Sam! Because I just saw the post on ao3 and donations, and a different post about ao3s updated statement regarding chatgpt/ai generated fiction, and you generally have a good read on things like this - what's your opinion on it, and how its meant to be interpreted?

(I want to good faith believe, and its a complicated/ongoing topic, but wanted to hear your thoughts)

I don't know which post about the update you mean, Anon, but I assume the update referenced is the one the OTW posted on 5/13 about AI scraping and ChatGPT. I do have some thoughts but I want to go through the post a little because I don't think I'm actually needed to interpret this one -- I think with some critical thought anyone can, but a lot of people don't get critical thinking training in school, so I want to do a little demo of it.

Pre-emptively, this is a list of things I'm not an expert on: copyright law, data scraping, AI, website design, and the legality of certain forms of freedom of expression. But honestly for this you don't need to be.

First and foremost, we really have no reason to disbelieve OTW when they speak on this subject. While there's debate and discussion about AO3 and certainly it's imperfect in a number of directions, they are pretty transparent, generally speaking. I don't believe there is a reason to approach AO3 with an assumption of disingenuity in a general sense. However, the organization is run by humans, who are imperfect and can sometimes be deceitful, so it's good to always approach public statements with a critical eye.

So the post is talking about two separate but related issues: preventing AIs from scraping AO3, and policy on AI-generated works being posted. What we are looking for, from both, is a combination of things: we want what they're saying to make sense both in the world, and within the statement -- no contradictions, nothing that seems illogical, nothing that seems like baseless assumption or generalization. We want simple prose, and we want a look at the reasoning behind the actions they're taking.

When talking about AI scraping, they start with what they've done to counteract scraping, speaking in relatively simple terms but with enough specificity that if you wanted you could look up anything you didn't understand. They list what they've done to prevent scraping, and they also discuss the issues with the kinds of measures that would need to be implemented to fully prevent it. They mention specific examples that people were concerned about, and they talk about what they'll be doing going forward.

In terms of the text, this all makes sense to me -- here's what we've done, here's the problem with doing more, here's what we plan to do next. Internally, no matter what the topic is, this section is logical, there are no contradictions and no particular evasions. Critically it passes muster. Additionally, with the knowledge I do have of website design and data management, I can tell that they're doing all they reasonably can. From a standpoint of ignorance, the statement makes internal sense; from a standpoint of knowledge, they're doing what I would do in their place.

When talking about AI-generated works, likewise, they're pretty open about their process and reasoning. They say look, this isn't against TOS as it stands, and here's a reminder of why, followed by a mission statement. The bolded text of that statement is very clear, and correlates with what I said in an earlier post: their policy is maximum inclusivity of fanworks. This statement is consistent with policy AO3 has held for years, which is well-known to the community.

They go on to discuss how AI-generated work could violate spam policies, but those spam policies apply to everyone everywhere, and they remind us that we can always have the Policy & Abuse team examine a work we're skeptical of. (Inside baseball, I know some people who have beef with Policy & Abuse for being unresponsive, particularly in certain cases where harassment is involved. However, within this document, they are saying both "here's why we do this" and "if you have a problem, here's the first step.")

Again, after saying what's happening and what's being done about it, they move on to say that these are only current policies, and may change depending on future developments, and that those changes will be made available for public discussion. This is once more internally logical, and with the benefit of outside knowledge, perfectly rational.

Because I agree with them -- when I saw there was an "updated" statement from OTW on AI-generated prose I was frankly alarmed because I think banning AI-generated prose from AO3 causes way more problems than it solves. It's pretty restrained of them not to bring up the issue in more detail, but it's not difficult for those of us familiar with the community to project outwards as to why banning AI prose might be a bad thing.

So, think about what happens if an AI prose ban goes into effect and you read a fic you think was AI generated. How can you tell? Have you read some of the human-generated prose on AO3? Some of it's not great. So really in that case, what you're banning is someone saying they AI-generated the fic, which means AI-generated fic would still show up, it just couldn't be tagged as such. It's like Prohibition -- they banned alcohol and people still drank. They poisoned the alcohol and people drank the poisoned alcohol (check out paragraph five for specifics). If you ban something off the archive it'll still show up there, it just won't be tagged, so instead of a bag labeled "dead dove, do not eat" you just step on a land mine in your kitchen. AI prose is not content in the way that say incest or underage sex is; I'm against banning those as well, but at least with those you can pretty clearly say "yes this is" or "no this isn't" based on objective criteria. You can't do that with "was this made by a human or a machine" when it comes to prose.

Which leads to the second issue: if a text is reported as AI-generated and the author says "No, I wrote that," how do you prove otherwise? If you report an author for uploading AI-generated prose, all that will happen is either they just say "No, I wrote that" or someone on AO3's abuse team unilaterally decides that yes, this is AI prose, and punts someone off the website who might just be kind of a crap writer, which is not a sin or a crime. Either way it's a waste of time. So introducing a ban on AI prose is really just introducing either a useless show-law that will still cause AI prose to be posted there, just without proper tagging, or a tool to harass people with. Harassment is already an issue on the archive.

And we can reason all this out for ourselves simply by asking "What is the good-faith reason for not banning AI prose?" Assuming good faith isn't just for blindly trusting, after all; it's also for reasoning out other peoples' motivations for things.

And frankly fandom gets a little weird about assuming bad faith when it comes to anyone who has the least bit of power within the community. It's something I've encountered personally, as someone with some clout in fandom who is occasionally assumed to have weirdly malevolent intent. I'm not malicious. I'm just an awkward dumbass. But this is just something fandom does, so it's also good to check oneself and go, "Hey, is this person being genuinely malevolent or am I just assuming wickedness because it's easier to be mad at a villain than to explore the complexities of these acts?"

It's why I deliberately didn't speculate about the person who uploaded an AI fanfic and didn't respond to others doing so in comments. That person is right there. You don't have to assume any intent at all, you can just ask them. And it's so much more educational to do so!

So yeah, actually real props to whoever wrote that post by the OTW -- it's internally logical, reasonably transparent, simply written, and avoids a lot of prose pitfalls that I would absolutely fall into (did fall into, in this very post). I think within this area, they are doing what they can to prevent scraping and making the correct decisions, for now, regarding AI content on the archive.

[moodymisty]

hi! i hope you feel better soon!

i was wondering if you plans for continuing your ‘legions reacting to their primarch’s partner’ series ?

have a good one :) 🐊

Part 1, Part 2

Author's Note: Sure, here's the rest of them :3

Relationships: Implied Leman Russ/Reader, AlphariusOmegon/Reader, Sanguinius/Reader, Lorgar/Reader, Ferrus Manus/Reader, Mortarion/Reader, Jaghatai Khan/Reader, Horus/Reader, Fulgrim/Reader, Corvus Corax/Reader (A NOTE: almost all of these are gender neutral, but a few might have the term mother or another female term in it, so fair warning)

Warnings: None really

➧ Space Wolves:

Pretty average. They're definitely one of the better legions to be around if you're a baseline human, as they're not only pretty chill, but actually somewhat... nice? By Astartes standards.

You enjoy listening to them tell battle stories around the bonfire or whatever you're all camped around, and they like how easy it is to impress you with their feats of strength. Evenings can quickly devolve into one on one duels if you're around, and there's enough Mjød involved. Impressing Wolf Mother with your spur of the moment honor duel is the height of accomplishment, for a hammered Space Wolf.

You would hope Russ would stop these shenanigans, but you’ll find yourself disappointed when he joins in, brawling his own Astartes for your attention that he already has.

They also all find it absolutely hilarious when you use one of their tamed Fenrisian wolves as a mount, as it puts you at eye level with them.

➧ Alpha Legion:

Your relationship with Alpharius & Omegon is as ambiguous as how the Alpha Legion Astartes feel about you.

They don't like the twins having a potential weak spot that can be exploited by enemies, and their myriad of plans and spiderweb of secrets could get easily unraveled; But if the twins brought you into the inner circle, they’ll place trust that they did it for a reason.

It's just a bit, disorienting having so many men- some of which look very similar- coming in and out of your life. The twins know that you can tell them apart from their legion lookalikes (somehow and it pisses them off), but they still find it funny to try and slip things past you.

➧ Blood Angels:

As one of the kinder chapters, you being brought into the fold is of little resistance, largely because they see how happy Sanguinius is when you're around. They may be battle hardened warriors, but they find it difficult to express their worries when their Primarch has never looked happier holding your much tinier hand.

However the Blood Angels already have a protective (border-lining on obsessive) nature with their Primarch, and that is something that now extends in fold to anyone Sanguinius is close to. Being you.

Do not expect to go anywhere with any less than three fully armored Blood Angels. They will glare at anyone who comes close, they will scold anyone who speaks to you without proper prose, and you will have to deal with it. Some may have a developing soft spot for their kind Legion Mother which allows you to order them around, but they are very strict in this regard.

And Sanguinius will not stop it; Because he feels the same way as them, he's just better at hiding it.

➧ Word Bearers:

Largely neutral at first, but over time they begin to warm up to you as Lorgar's loving gazes and borderline worshipping talk wears on them. It also helps that they have some non-violent experience with other humans.

There are some however who don't approve of your closeness to Lorgar; Especially as it becomes more obvious that Lorgar's priorities are changing, and his distractions are getting worse. You becoming the idée fixe of Lorgar's mind is more than a bit concerning for some members of the legion, particularly ones touched by Kor Phaeron.

They hold their tongues, but you know they don't like whenever the two of you are alone. You've heard the word 'temptress' uttered more than once.

➧ Iron Hands:

Extremely blunt, and to the point. like the Imperial Fists, but without the protective streak. Iron Hand brutal efficacy doesn't exactly mix with the slow nurturing of what one could consider romance.

But you show genuine interest in the practices of the legion and don't impede on their chapter traditions, so the Iron Hands suppose it could be worse. They'd much rather their Primarch not be distracted however, and that is a theme that will remain present in any conversation regarding you for a long while. Expect them to basically ignore you for the first portion of your relationship with Ferrus.

Rude...

➧ Death Guard:

The Death Guard are one of the legions that is definitely more conflicted about the whole thing.

On one hand they say that he will end up distracted, eyes pulled away from his crusade to more frivolous things like romance. But on the other hand, if it does away with some of Mortarion's depressive moue, then they can bite their tongues about it. Either way, they definitely aren't fans of it, and you'll more than hear about it.

Legion meetings are, more than a bit stressful. Mortarion often times comes back ragged and angry after being told he should be rid of you.

Things are strained. You hope they'll level out with time.

➧ White Scars:

Probably one of the better legions to be in. Helps that they don't despise baseline humans, and actually know how to smile sometimes.

It's refreshing to be around Astartes who are a little less, stuck up, something you say under your breath not long after being officially introduced to them. They find it absolutely hilarious.

You have a few Astartes you're a bit more familiar with that Jaghatai trusts to be your personal guard, in the rare moments he isn't close. Pretty chill all around.

Unless there's about seven of them all eagerly surrounding you trying to teach you different Chogoran words, then it's significantly less chill.

Also jetbike rides sound rad af

➧ Luna Wolves:

They have their doubts as all legions do, but given Horus' charisma it isn't long before they toss those doubts aside, and quickly welcome you into the fold at Horus' side.

Also similar to the Blood Angels in that they get near feral protecting their genefather's beloved. It's like his obsessive nature somehow has somehow manifested or has been genetically implanted in them. Horus always makes sure you have a guard at your side, no matter where you go.

It was all fine at first, but now you're beginning to feel a bit like a prisoner.

➧ Raven Guard:

The Raven Guard are pretty tame all things considered. While conversations tend to be respectfully brief, you've noticed overtime that it's less so disinterest, and more a so near nervous formality. It's almost like they don't know how to talk to a baseline human woman for more than a few moments. It's, cute.

Nykona doesn't seem to mind you though; Largely because he overheard you mumble that you think his armor is the most impressive out of all of the Raven Guard Astartes during a sparring session between him and Corax.

Overall, they’re happy Corvus is happy, and as long as his main mission isn’t compromised, they’re content to have you here.

While most legions say ‘Legion Mother’ however, the Raven Guard tend to use the title ‘Raven Mother’ instead when being formal. When they started saying that instead of just legion mother, you noticed how it intertwines with how they refer to Corvus.

Once you realized you got a little bit too excited they’d finally started accepting you, and scared the shit out of no less than three guards by abruptly crying.

➧ The Emperor's Children:

They do enjoy being around humans that can appreciate the arts, and they don't hold much ill will towards you as the jewel of their Primarch's eye. If anything, they seem almost pleased their Primarch is able to pursue such things. You're welcomed into the fold with little fanfare, and Legion business continues on with nary a peep about Fulgrim's new wife.

Many of them create things for you, which while incredibly sweet, makes Fulgrim a little miffed if you show too much joy about it. He just gets a bit jealous, but it's harmless. You find it kind of cute.

[gasolinerainbowpuddles]

I'm here to share another brave yet controversial take.

(This is strictly about smut in fics - not plot points, characterizations, etc.)

I think there is a fundamental difference in how different ages interact with smut in fics. In my personal experience and preference, the hottest smut I've read has come from writers whose bios say 30+ or from writers who are close to that age. I think there are factors that contribute to this:

LIFE EXPERIENCE — This doesn't strictly mean number of partners (although I do believe that helps). The older you are, the more people you've come across, and this builds a bigger worldview that allows for nuance and a more understanding of how things move and interplay. It exposes you to more interpersonal dynamics, which are a huge part of sexuality imo.

SCIENCE — Our brains aren't done cooking until around 25. This means logic, decision making, patience, thinking things through, not letting emotions be the driving force behind our actions, etc. don't really solidify until we're well into our formative adult years. This ties into my first point in regards to how a person navigates their world, and there is a different level of understanding that comes with a fully developed brain.

SEXUAL PRIME — Late 20s to mid 40s is considered to be the sexual peak for women (I'm focusing on women because fic writing is mostly women). Heightened sexual fantasies and experiences align with women in that age range, and I think that is an essential factor in creating fantasies that are more erotic and visceral through writing. There is also a confidence that comes with knowing what you want, what you like, how to get those things, comfortability in expressing your sexuality and actively utilizing it, etc.

CRAFT EXPERTISE — Many of the 30ish year old writers I have seen have written for numerous other fandoms over the span of at least a decade, sometimes more. When you've been doing something for that long, it makes sense that their works would be more finely tuned in content and prose.

INTEREST — Writing fic takes a lot of time and effort - emotional and mental. If someone is around the age of 30, chances are they've got more on their plate than someone younger. Maybe they've got more job responsibilities because they've moved up to a managerial position. Maybe they've had a kid or two. Maybe they have dogs and a partner they live with and have to tend to those things in addition to whatever else going on. My point is, somebody who has a lot going on in their life and still makes the effort to write and share fic HAS TO have a strong desire to do it because it is very time consuming.

I'm sure there are more points that I've left out, but this is just what came to mind immediately. I've seen a lot of weird ageist takes on who "should be" writing smut, as if you suddenly stop being horny when you hit 24 or something.

In all honesty, maybe readers who don't enjoy smut written by 30ish year old writers just aren't ready for it? Maybe if you're 19, you're not going to resonate with someone who is in a later point in their life because you haven't come to that maturity yet? And, no, that's not me saying you can't enjoy it because you're "immature." I'm saying you're not there in your life yet, so it's perfectly fine to prefer works from someone who is more of a peer to you.

So perhaps if you find yourself age shaming, applying morality to sexuality, and denigrating fic writers who are 30ish+, maybe just stick with reading fic and smut by people who are where you're currently at in life?

[soracities]

how do you know when you're getting good at poetry? everybody dunks on halsey and rupi kaur's poetry, and i never really got why and idk if that's what i sound like

Honestly, I don't think there's ever a point at which you "know" you're getting good at poetry--I think "good" and "bad" are kind of vague and amorphous (and distracting) categories that don't do much in helping us understand the feel and impact of certain writing, chiefly because they can also be deeply subjective. How a poet views a particular work and how a reader views it will be very, very different because their relationship to the work is different. I also think "good" is a sort of external category that does not (or should not) carry into the act of writing itself--when you make "is this good?" the chief consideration as you write, you're not actually present in the writing: you're focused on the finished product, not the process, but the process is the most important thing: that's where the poem actually meets you. I think growth, in writing, is less about knowing if you're "good" in this regard, and more about being able to have confidence, or simply just trust, in the writing as it happens.

There's a famous saying somewhere that a work of literature is never "finished"--it just stops. I think skill, when it comes to writing, lies in recognising where this point is, in learning and developing how you navigate what it is you want to say, and how you say it. Some poems, eventually, reach a point where you can take them no further and you know there is nothing more to be said in them or through them. Some poems reach a point where you can take them no further, but there is still something left to be said in them. Those poems get revisited, worked, and reworked again, until they (maybe) get close to the first category: this may mean you work on them for a few weeks, or for years--but either way you are prioritizing the process of making the poem, not how it will be received. "Is this a good poem?" in my view at least, is not really the relevant question--what's relevant is "is this true to what I wanted to say?" Leonard Cohen famously wrote over 100 drafts of "Hallelujah"--I don't know if the central question for him here was just a matter of his skills as a songwriter.

Regarding Halsey and Rupi Kaur, I've only been able to read Halsey's poems through previews on Google Books so I don't know what other people's critiques are--based on what I saw, though, I don't know if it makes sense to criticize their quality as "poems" when she is primarily a songwriter and a lot of those poems wound up as songs. I'm more familiar with Rupi Kaur's writing, though, and others like her (Atticus, Michael Faudet etc), and while I have a personal policy of not getting into Kaur online (there's an ask here which is about as much as I'm willing to say regarding my feelings on her writing)--I can get into this trend or poetry "style" as a whole. And to be honest I think the chief issue here with poetry like this is that poetry, by definition, involves a deep and intimate relationship with language: this holds true regardless of whether the poem is simple, or complex, whether it's 5 lines long or goes on for 50 pages. As I said in that previous ask, it's not something you can reduce to a formula, nor is it a matter of mere reportage or a collection of statements: what makes a poem has nothing to do with line breaks (prose poems exist), but everything to do with how the language moves, how the language of a poem engages with its own content, with itself, and, as a result, with the reader.

The kind of work that proliferates on Instagram does not have that kind of engagement with language--they are, to me, pieces of information more than anything else. They reduce language to a series of stock phrases that act, not as actual words, but as images (and I don't mean this in a visually evocative way). It tries to evoke something that requires a thoughtful and sustained examination in order to be expressed, by surpassing the reality of what that examination actually requires. It tries to ape the effect of a powerful poem without the work that goes into actually being able to make that kind of a poem in the first place: and that work is a sustained encounter and confrontation with the language used and its relationship to what it tries to convey, in understanding that words are not interchangeable blocks you move around willy-nilly but that they have weight and intention, that they interact with each other to build up an idea or a feeling or a landscape in the most accessible way (insofar as language can make anything accessible, at least). But this is rarely, if ever, felt in IG poetry because it refuses to recognize or respect the demands and requirements of the medium it uses.

And because it is lacking in this engagement and recognition, these poems are also, for the most part, lacking sincerity--and this, to me, is one of the most crucial things when it comes to writing. I recall one IG poet whose work was in the same class as someone like Atticus, but I also recall one of his poems which genuinely moved me--and it moved me because, unlike everything else on his account, that poem felt sincere: the structure and the language wasn't any different to anything else he wrote, but in reading it, it was not a question for me of whether it was "bad" or "good"--what made the impact was that it was honest: and the difference showed. You can't come into a poem with ulterior motives. You can't come into it without an understanding, or respect, for the language you use. I'm absolutely not policing what people should or shouldn't read, and I'm not saying people are wrong for liking these poems, either, or that Halsey, Kaur, Atticus et al., are wrong for writing them. Expression is expression, and what speaks to you speaks to you. And to be honest, it is a different kettle of fish when you are writing something purely for yourself (and I think allowing yourself to partake in any kind of artform, without worrying about needing to be good at it, is deeply important for the human spirit)--but because they are putting their work out publicly, if we are going to be evaluating what they write and how they write it, that evaluation has to be rooted in an understanding of the art form they intend their work to be a part of.

For me, these are the main issues I have with these writers and their work and why I just do not like them. But I also want to stress that, ultimately, what you sound like in your own poems, anon, does not matter as much as being sincere to yourself does. As I said, I don' like using terms like "good" and "bad" and I think that often they're fairly reductive (and sometimes outright pointless) categories to use when we talk about and assess poetry--more than anything else, the key to building a robust and informed discernment when it comes to poems is to simply just read--read a lot of it and read widely. The broader and richer your repository of poetry (and literature in general) is, the more informed you are when it comes to all the different ways language can move through a poem, and all the different impacts it can have as a result. It deepens and enriches your understanding of all the different ways of looking at something, questioning something, expressing something. Your vocabularly grows and deepens; your net of associations--visual, linguistic etc--strengthens. And when this understanding grows you are able to place the things you read into a much wider and far more informed context. And this in turn allows you to grow as a reader and a writer. I hope this helps you a little, anon 💕

[librarycards]

hello! i apologize in advance this is probably something that you get asked a lot. but do you have any recs on literary magazines to submit to? im a trans poet, ive been writing for over a decade but never shared anything and ive been wanting to try to send my stuff to get it published somewhere. obv ive been google searching but theres so many big and small publications and i was wondering if you have ones you like especially and/or tips on how to choose a magazine/journal to submit to. thanks a lot! <3

no worries, thank you for reaching out!! i've been publishing for like 8 years + an editor for almost 4, so i always appreciate the opportunity to help people new to the world find ethical publications that will treat their work with the care it deserves.

first and foremost: there are going to be pubs out there that are awesome and i don't know about. you may be the one to discover them for yourself! one aid in finding the best mag for your work is the wonderful, writer-created chillsubs. it's a fantastic platform that keeps a huge list of mags and presses and their relevant stats, and lets you create an account and bookmark those you're interested in. everyone i know uses them, and it's very worth it given the sheer volume of mags out there.

i also have some recs of my own, ofc. i'm going to list them below. if they pay (which i prioritize) I'll mark them with a $. some are trans/queer focused and some aren't, but all are pubs i've either edited and/or published with and can confirm their ethics + respect for writers.

manywor(l)ds - my mag! i'm co-founder and eic. break genre _ shapeshift with us. ($)

Sinister Wisdom - old, well-regarded lesbian+ lit mag, now open to everyone who is/loves a dyke. I'm guest-editing an issue on Madness with them, now open for submissions!

fifth wheel press - run by a beloved friend and comrade of mine. i've published here. excellent transparency, care, great for first-timers. ($).

kith books - headed by trans literary icon kat blair. a mag/press/community centered around bodymind non-conformity and noncompliance.

Honey Literary - QTPOC-centered, unabashedly pop-culture + social justice oriented. the vibes are simply immaculate.

Whale Road Review - not queer/trans focused, more oriented toward....'grown up' poetry/prose/pedagogy papers. Katie Manning (eic) is a fucking gem.

Graphic Violence Lit - just had my first experience publishing with them, and their care + consideration for the whole writer is amazing. they publish boundary-pushing work.

beestung - one of the brainchildren of Sarah Clark. nb/gq/2s SFF. I just edited a few guest issues w them and have published with them. amazing work. ($)

A Velvet Giant - genrequeer work. the editors are experienced, enthusiastic, and amazing at promoting writers long after publication. it's a family! ($)

Ethel Zine + Press - handmade with love by Sara Lefsyk (as you can see, trans/nonbinary/2s sarahs dominate indie publishing, as well we should :3). Sara is a sensitive and care-full editor and bookmaker whose every publication is a work of art.

Protean - pro- as in proletariat. awesome left mag with a mix of politics and culture and everything in between. they take reprints! ($)

Mudroom - publish your work along with a picture of your mudroom/shoe rack. very responsive editors who will hype you tf up. ($)

The Institutionalized Review - for psych survivors. the editors concreteness of vision and dedication to their community know no bounds.

Just Femme + Dandy - queer and fashion-focused! led by the inimitable Addie Tsai. They pay *handsomely*. ($)

In addition, there are also some "big" mags I have had excellent experiences publishing with and wanted to shout out. These are harder for a beginner to break into, but worth keeping on your radar + have been fantastic to me as a writer.

Electric Lit

Split Lip Magazine

The Offing

Nat. Brut

Santa Fe Writers' Project

Bodega

New Orleans Review

Augur Magazine

I hope this is helpful to you + others! the literary world is ever-changing and this is just a snapshot. Hopefully you find some that you like!

[emeryleewho]

I saw a video talking about a choice author (who I will not name, don't ask) saying that they're popular because their books have no depth and are easily consumable by everyone. And look, I'm not gonna say that's *not* at all true in regards to that author's books, however, I don't think that is what "makes books popular", and to illustrate this, I'm going to use The Hunger Games.

The Hunger Games is one of the bestselling YA series of all time, and most people *do* miss the nuance and depth to it, but trying to argue that it doesn't *have* nuance and depth would be a lie. What makes it marketable is not *lacking deep themes*, it's telling a *good surface story*. Even if you don't have the bandwidth, the literacy, or the interest to care about the deeper themes, you can still enjoy the story because it's fast-paced and entertaining with interesting characters and a kind of common sense surface morality that are relatively easy to follow. This makes it *highly* commercially marketable.

However, the depth of the story, the complex characters, etc. etc. do not *hinder* it's popularity because people who don't have the appreciation for them just don't even notice they're there. Meanwhile, those things contribute to its longevity by making it a cultural staple of a book that is deeply analyzed and used in educational settings.

Commercial marketability may often mean things like "being accessible to the lowest common denominator reader" or even "being full of tropes and repetition that make it easy to skim read and still follow", but that doesn't mean these books inherently lack depth or nuance. It just means that there are two stories baked into one book--the story for people who just want to have a good time and the story for people who want to have a good think. I would argue that the difference between a book, like say, Twilight that has now come under wide-sweeping public disdain vs one like The Hunger Games that stood the test of time is that. What exists *underneath* the commercial hook? For some popular books, it's nothing, but for others, it's A LOT. If your story really is only good on a surface level, people will ultimately realize that. And in the case of Twilight, notice how the author is a one hit wonder? The fandom may continue to buy those specific books, but she's not the type of author who can continuously bring in new readers or even convince the nostalgia junkies to follow her elsewhere because most people *know her books aren't actually good*.

Anyway, it's easy to dismiss a commercial book as lacking all depth and nuance and easy to dismiss popularity as proof that something lacks all substance, but before you do that, I think it's worth remembering that books can do both, and that can very much show a higher level of skill than a deep introspective story with flowery prose where, on the surface, nothing interesting happens because taking your deep think and repackaging it in a way that is accessible and compelling to large numbers of people is *it's own skill*.

[decepti-thots]

Sometimes I have to remind myself that a lot of people in fact have not read/skipped the prose stories in IDW, so for what it's worth, I think any discussion of pre-Overlord Drift-Rodimus dynamics needs to consider this specific scene from the post-RiL one. I am passionate enough about this I'm putting it below the cut, though I have the whole story hosted here btw. It establishes a few really important things, IMO:

What I just discussed regarding Rodimus having voluntarily brought Overlord onto the ship, against Drift's wishes

Him attempting to prevent Drift from taking the fall because he knows it's his fault, and Drift being the one to tell him no about this

The revelation Drift was keeping his motivation for putting Rodimus in charge a secret from Rodimus, which he only explains before leaving

Drift being clear he did not take the fall to help Rodimus per se, but because he considers it the necessary thing to do as per his vision, which is ultimately the most important thing to him period

That's a LOT of stuff without which the dynamic does not read at all the same way going forward, IMO. Basically any discussion of those two in s1 should really take it into consideration in terms of both sides' motivations, especially regarding Drift's motivations in keeping Rodimus content and in charge no matter what he said or did, and Rodimus' relative ignorance of said motivations.

****

As Rodimus stepped into his office he shielded his eyes—literally put his hand to his face—to avoid catching sight of the flames he’d had painted around the doorframe. As soon as he’d sorted out the current mess he’d ask Atomizer to help him redecorate. No more fire-rimmed entrances, garish pink walls or self-aggrandizing plaques: just a desk, a chair, some subdued lighting and a memorial to crewmembers killed by sparkeater, Legislator, or Overlord.

Overlord.

When his guard was down—when he wasn’t showing off or doodling or spray-painting—the name made him think of the people who had died or lost loved ones because he’d been too scared to say no to Prowl. Overlord made him think of Pipes and Rewind and Chromedome and Lockstock and Lancet, but one face—Drift’s face—kept crowding out all the others. It had been here, in his office, that they’d had their last proper conversation.

“An inquiry?” Drift stood in the doorway, looking incredulous. “An inquiry?”

Rodimus dragged him inside and locked the door. “I had to do something! People were asking questions! And what do you do if you want to stall things? You launch an inquiry.” He slumped into his chair. “An inquiry into something I’m responsible for. Oh god. Oh god, I feel sick. I’ve messed up big time.”

“I can sort this out, Rodimus. Honestly, I can fix this.”

“This is my fault, not yours. We were standing in Prowl’s office, and he was trying to convince me that bringing Overlord onboard was ‘right and proper’, and you called me an idiot for even considering it.”

“Was I that blunt?”

“I don’t know why he even let you in on those discussions in the first place. It’s not like he trusts you.”

“I’ll tell you exactly why he wanted me there: it was in case something like this happened. Need a scapegoat? Get an ex-Decepticon.”

“Well it’s not gonna happen. I’m taking the fall for this one. Your name doesn’t have to come into it. It’s taken you years to win back people’s trust, and you’re not throwing it all away on my behalf.”

“Rodimus, if you tell the crew what you’ve done, then that’s it. The quest’s over. We’ll never find the Knights.”

“No, it just means someone else will take over. You, maybe? Ratchet? I dunno. Someone.”

“But someone doesn’t take over!” Rodimus looked up sharply. “’Doesn’t’?”

“Won’t.”

“You said ‘doesn’t.’ What d’you mean, ‘doesn’t’?”

“It’s hard to explain what I mean.” Drift unclipped his Great Sword and placed it on the desk. “You remember when I nearly died, back on Cybertron? I was within feet of Vector Sigma.”

“Yes…” said Rodimus slowly, unsure where this was going.

“When I put this sword through my spark, I saw something.”

“What, like a vision?”

“Kind of. More a sense of how things would play out. It was abstract and it was fleeting, and every time I call it to mind it becomes harder to interpret, but something is around the corner, Rodimus—and a year from now, or 50 years from now, that something will arrive, and we won’t be able to stop it unless we find the Knights. And I don’t care if you think, ‘Oh, that’s just Drift being Drift,’ because I’m convinced that you need to remain in charge. People can come and go—they can die—but you have to be here, otherwise we will fail. And so the simple solution—the only solution—is that I take the blame for this.”

“I won’t let you do this for me.”

“I’m not doing it for you. I’m doing it for everyone else.”

[nanaminokanojo]

ACCIDENTALLY IN LOVE | part 3

-meet cute? a cheesy musical number? forget it! love makes itself known to you through a minor car accident, a broken arm, and a treacherously charming temporary chauffeur

CHARACTERS: sukuna x you/reader | jjk characters

GENRE: full-length smau + prose | bad boy x good girl | college au | a lot of firsts | aged-up characters | strangers to lovers | smut | fluff | angst | ooc depictions - soft sukuna ftw

TW/CW: strong/mature language | adult content so mdni on some parts | mentions of alcohol and/or smoking | mentions of injury, promiscuity and bullying | pet names because they're cute with 2D men | toxic behavior | will add more if something arises

MASTERLIST | CHAPTER INDEX

<<prev part 3 next>>

A/N: Contains prose and tweets between so yeah, open this to read, I guess.

Sukuna stiffened from where he was standing when you winked his way. You were so gorgeous even when your eyes were slightly red at the rims and all banged up that he would have needed herculean effort to wrench his gaze from you. Under normal circumstance, that is. At the moment, his eyes simply kept straying to the doctor whose arms were akimbo as he regarded you with tired, worried eyes.

“My sister will kill me if she finds out the truth.”

Ah, Sukuna thought, nothing scarier than a protective uncle.

“She won’t,” you assured, standing up slowly. “I got this."

The man nodded and approached you, patting your head before leaving, but not without glaring daggers at Sukuna who bowed and stayed bent at a ninety-degree angle until your uncle was out of view. He immediately straightened up to face you only to repeat the gesture before you again.

“I sincerely apologize for injuring you like this. Please allow me to shoulder the bills for your treatment.” He was still sweating profusely, his shirt sticking to his musculature like saran wrap. The ordeal wasn’t done yet. You might have pacified your uncle, but it did not necessarily mean that he was off the hook. “I’m so, so sorry.”

His nervousness at your lack of response heightened with every second that he remained in that position of contrition. It was nerve-wracking when he wasn’t used to submitting to anyone’s demands or wishes, much less begging anyone for forgiveness. He couldn’t see your face so he wasn’t exactly sure how you were reacting to everything. But much to his surprise, he saw your shoe-clad feet as you stood before him.

“You don’t have to bow down like that in front of me,” you spoke, your voice coming out with a husky ring to it. “Your apology would have sufficed.”

Sukuna stood up to look at you, stepping back when he saw you smiling brightly at him albeit your discomfort. For the first time, he noticed how your leg was already cleaned and bandaged while your broken elbow was wrapped in a cast, hanging on a sling over your shoulder. How you could stay so positive despite your pain was something he found awe-inspiring and he couldn’t help but feel the slight upward tug at corners of his mouth.

“Are you okay?” he blurted out, quick to take it back when he realized just how stupid his question was. “I’m sorry. That was…” He sighed. You seemed to have the ability to render him into a blithering cretin, and he had to admit even just to himself that it wasn’t only the guilt or the nerves resulting from almost killing you. You were just so pretty his brain-to-mouth filter has become nonexistent.

“I’m not, but thank you for asking,” you responded appreciatively, lifting your injured arm slightly for emphasis. “I’m Y/N, by the way. You’re Ryomen?”

“Ryomen Sukuna.”

“Sukuna. It’s nice to meet you.”

Your eyes then strayed to the other person in the room. “Hi, Uraume.”

“Hey, Y/N. I hope you’re not in so much pain.”

Sukuna looked on with curiosity at the exchange. He didn’t know that his best friend even knew you after they had to show him your online profile instead of just telling him about you like a normal person. He shot Uraume a dirty look, realizing he had been played.

“Sorry if my friend’s an idiot. It’s a birth defect.”

Sukuna was about to protest, but then he heard you giggle, suppressing it when you saw him looking at you in an attempt to be polite. Why you were doing that was weird. If anything, you ought to be raging mad. He sighed. Uraume was right. He did you considerable damage.

Again, he said, “I’m sorry, Y/N.”

“It’s alright. You’re forgiven.”

“Really?” He arched a brow at you in question, not quite understanding where your good mood seemed to be coming from. If he was in your shoes, he would have thrown a fit and taken advantage of whoever caused him to hurt.

“Yes.”

Just like that? “Why?”

“It was an accident. You weren’t really meaning to run me over, were you?”

The thought horrified him. He may be a dick, but he wasn’t exactly lacking in morals. “God, no.”

“Then it’s settled.”

How you could be so nice about it was a big puzzle to him, but he would have that any other day than your family coming after him. He knew he was being dramatic earlier, but there was still the possibility. He thanked you and started to excuse himself to settle the bills, but you stopped him, holding onto his arm and shaking your head.

You flashed him an embarrassed smile, your cheeks adorned with a dusting of roses. “You don’t have to.”

“Their family co-owns the hospital,” Uraume supplied, shrugging as if in long-suffering.

“Oh.” Of course, he thought, finding it hard not to grimace at how narrowly he escaped the fate he was thinking about just earlier. Now, he seriously felt bad knowing you’re basically a princess – a very beautiful one with an equally beautiful heart – and yet a nobody like him did you wrong.

“I’ll tell you what,” you began, “I wouldn’t really want to impose upon you, but if you want to make it up to me, I’ll appreciate it if you drive me home today.”

“I’ll drive you home every day to school until you’re well enough. I’ll help you with whatever you need, just…please, let me,” he said without thinking.

Sukuna saw Uraume arching a brow at him, knowing exactly what was going on in their mind as they furtively shook their head. He was a womanizing bastard after all, but that wasn’t the intention he had with you at all. He would do anything and everything to stop feeling guilty over what he did to you, and he knew he wouldn’t be able to manage that without doing anything.

You eyed him thoughtfully, your head tilting to the side which he found endearing. But he immediately snapped out of it when you nodded your head and said, “That will be very convenient. I wouldn’t have to call my parents to send me a driver.”

Anything but your parents, he thought, mouth stretching into a tight smile as he nervously nodded. “Just call me whenever.”

TAG LIST: @catobsessedlady @kyo-kyo1 @junehasnotbeenfound @lavender-hvze @guacam011y @eyered @hellomeow12 @its-princessmara @light-yagami-l @domainofmarie @mythoscalliope @noble-17

© ORIGINAL WORK BY nanaminokanojo. CHARACTERS ARE INSPIRED BY GEGE AKUTAMI’S “JUJUTSU KAISEN”. [20240517]

PHOTOS/IMAGES/GIF/FANART/ANY MEDIA CREDITS GO TO THE RESPECTIVE OWNERS.

[gemsofgreece]

Hi! What could be a good english version of The Iliad, like the most faithful translation of it? xx

Hello! I have read the Iliad only in the prototype and modern Greek renditions. So in order to answer this I started with a plain search on the web for the most famous English translations. I see Lattimore (1951) and Fagles (1990) being frequently recommended. I ended up finding however a fantastic post on Reddit by some good soul who decided to analyze in depth all the modern English translations. OP provides the first paragraph of most of these translations in order to back their commentary. As a result I was able to read them as well. So I will add the link to their post in the end of my answer but in the meantime I decided to also provide my own opinion alongside theirs. Granted, my evaluation is based only on the first paragraph but we know writers and translators strive for the best in the opening paragraph so hopefully my conclusions will be more or less safe. Let alone that the opening paragraph of the Iliad is famous, it’s the invocation of the Muse, so certainly the translators were trying their best. Please note I am only judging the translations for which OP provides the first paragraph.

Lattimore (1951)

Deviations counted: 3

Style: poetry

Other notes: A little difficult to read but there is something old-school about it I like. Despite its deviations, it tried to keep other elements most other translators failed to.

Reddit OP opinion: They did not like Lattimore, they think he’s overrated.

Fitzgerald (1974)

Deviations counted: 8

Style: poetry

Other notes: God forbid.

Reddit OP opinion: They like it but admit it’s not very faithful to Homer.

Hammond (1987)

Deviations counted: 3

Style: prose

Other notes: It sounds more humble than Lattimore’s pompous translation, however it is easy and readable without deviating much from the original.

Reddit OP opinion: We agree.

Fagles (1990)

Deviations counted: 7

Style: poetry

Other notes: Why is this one of the two most popular translations? If you have to pick one of the two all time classics, I definitely recommend Lattimore between the two. But my favourite so far remains Hammond.

Reddit OP opinion: They reject this for the same reasons as they did with Fitzgerald.

Murray & Wyatt (1999, latest revision, 1924, original)

Deviations counted: 7 (fewer in the original)

Style: prose

Other notes: OP provides the original version and some older revisions and they are significantly better than what you will likely find in stores now. The original is in an older style of English.

Reddit OP opinion: That was the point they were making: unnecessary revisions for the worse. They say the old version is out of copyright so maybe you can find that one.

Merrill (2007)

Deviations: 8

Style: poetry

Other notes: It’s poetic but not beautiful enough and certainly not very faithful to the original.

Reddit OP opinion: Somehow they seem to like the opening paragraph but then makes notes similar to mine regarding the rest of the poem - I’d argue it’s evident from the very beginning.

Kline (2009)

Deviations: 6 (7-1)

Style: prose

Other notes: I removed one penalty as a bonus for being the only one so far to translate the “for thus was the will of Zeus brought to fulfilment” line decently. Overall decent, the deviations aren’t too annoying.

Reddit OP opinion: They consider it average - not too good or too bad - and they say it is free to read online. Both they and I prefer Hammond still.

Verity (2010)

Deviations: 6

Style: prose pretending to be verse

Other notes: Interestingly, Verity deviates in easier lines and nails the ones nobody did.

Reddit OP opinion: They love this one.

McCrorie (2012)

Deviations: 5

Style: poetry

Other notes: He goes for an epic style and I do not dislike it. He uses unusual English versions of the characters names though (ie Akhilleus, Aides). I don’t mind but it could confuse you.

Reddit OP opinion: They say their rendition overall is inconsistent and claim some of their choices sound bad in English. I did not really find the examples they gave problematic or bad, but maybe it is because in Greek those sentences sound better and McCrorie was going for a Greek voice, which is why it did not feel jarring to me like to the OP. We disagree in this one. I still prefer Hammond though.

Green (2015)

Deviations: 4

Style: poetry

Other notes: It is pretty faithful but I can’t say I find anything impressive about it.

Reddit OP opinion: They love it.

Alexander (2015)

Deviations: 3

Style: poetry

Other notes: She gives a very loyal translation, however lacks a bit in style, it is a little plain for poetry.

Reddit OP opinion: They like it a lot.

Nurcombe (2020)

Deviations: 6

Style: poetry

Other notes: Nothing particular to remark.

Reddit OP opinion: They find it a loyal translation (which maybe it is, because the deviations are six yet not very significant) but think it’s lacking in its poetry. Maybe this is why I found it unremarkable.

Wilson (2023)

Deviations: 9

Style: poetry

Other notes: We Greeks have talked before about Wilson taking too many liberties and her translation of the first paragraph proves it once more. She adds stuff of her own in there.

Reddit OP opinion: They comment on the loose translation but overall like her style of poetry.

In conclusion, my opinion is:

If you want easy, very readable and accurate prose, pick Hammond.

If you want accuracy and one of the all time classics and don’t mind the occasionally challenging poetic read, pick Lattimore.

If your main concern is accuracy and can go for older, harder, more epic sounding prose, try to find the original Murray or at least one of the old revisions but skip the most recent ones.

If you don’t mind a hard poetic read, maybe even odd in English (as stated by the English reader) because it attempts to get close to the Greek poetic voice, even at a paradoxical occasional expense of word for word accuracy, give McCrorie a shot. I don’t know if this made any sense lol I mean that even when he is not extremely loyal word after word, there is a feel of attempted Greek voice throughout his text. In other words, if you want a wildcard, give it a shot. But it could be alienating to an English reader, I don’t know.

Having said all that, again, I could only judge from the first paragraph and some notes by the Reddit OP. I am adding now their in-depth analysis. OP’s favourite for fidelity and style was Green.

Of course, if someone here is fluent in Greek and well acquainted with the English translations, please help us out.